Viktor Tkachenko
Viktor Tkachenko
Doctor of Historical Sciences, Senior Research Fellow, leading Research Fellow of the National Historical and Ethnographic Reserve «Pereyaslav».
ORCID: https://orcid.org/0000-0001-6741-3430
DOI: 10.17721/2522-4611.2022.45.7
PYSANKA IN THE EPISTOLARY OF RESEARCHERS AND RESPONDENTS
Abstract. The purpose of the article is to cover the issue of discussion and research of pysanka among a cohort of stakeholders and correspondents through the preserved epistolary. The main task is to publish little-known facts and to introduce into scientific circulation archival materials of well-known researchers and collectors of Easter egg collections.
The methodological basis is general scientific principles and research methods. Among them are search, analysis and synthesis, generalizations that allowed to investigate this issue and identify individual epistolary documents related to the study of Easter painting.
The article considers and publishes archival materials of the Institute of Archeology and the M. T. Rylsky Institute of Art Studies, Folkloristics and Ethnology of the National Academy of Sciences of Ukraine related to pysankas. In particular, it is the correspondence of N. A. Kotsyubynska with respondents: A. Vozyansky, R. Gaidash, L. Dobrolyubova, M. Yatsulchak, Mazurenko, Babyn, concerning the Easter rites in Podillya, as well as manuscripts of the fund «Ethnographic Commission» VUAN (correspondence of M. Pavlyk, V. Petrov). It is noted that the relevant epistolary is also stored in the Central Historical Archive of Ukraine (letters by M. Sumtsov, Kh. Vovk, S. Kulzhynsky, A. Pater, G. Rafalsky, H. Yashchurzhynsky).
The epistolary heritage preserved in various archival institutions of Ukraine is a rather interesting and sometimes richly informative historiographical source for the study of Easter painting. In the correspondence of famous and unknown personalities, scientists, researchers of folk art you can find information about the regional aspects of Easter painting, and about the peculiarities of collecting Easter egg collections, the existence of the custom of painting them for Easter and other folk arts. In addition, the letters sometimes raise other issues of a vital and everyday nature.
Key words: N. Kotsyubynska, respondents, pysanka, epistolary, funds, archive.
Received by the editorial board: 6.10.2021
REFERENCES:
Arxivni naukovi fondy rukopysiv ta fonozapysiv (dali – ANFRF) IMFE im. M. T. Rylskogo NAN Ukrayiny. [Archival scientific foundations of manuscripts and phonograms (hereinafter – ASFMPh) M. Rylsky Institute for Art Studies, Folkloristics and Ethnology (hereinafter – IASFE) National Academy of Sciences of Ukraine]. F. 1. Ode save 1. 3 ark. [in Ukrainian].
ANFRF IMFE im. M. T. Rylskogo NAN Ukrayiny. [ASFMPh M. Rylsky IASFE National Academy of Sciences of Ukraine]. F. 1. Ode save 19. 9 ark. [in Ukrainian].
ANFRF IMFE im. M. T. Rylskogo NAN Ukrayiny. [ASFMPh M. Rylsky IASFE National Academy of Sciences of Ukraine]. F. 15. Ode save 361. 92 ark. [in Ukrainian].
ANFRF IMFE im. M. T. Rylskogo NAN Ukrayiny. [ASFMPh M. Rylsky IASFE National Academy of Sciences of Ukraine]. F. 43. Ode save 97. 71 ark. [in Ukrainian].
Kravchenko, V. H. (2009). Zibrannia tvoriv ta materialy z arkhivnoi spadshchyny [Collection of works and materials on archival heritage]. Kyiv, 2 [in Ukrainian].
Naukovyi arkhiv IA NANU. [Scientific archive of the Institute of Archeology of the National Academy of Sciences of Ukraine]. F. 9. Ode save 85. 81 ark. [in Ukrainian].
Naukovyi arkhiv IA NANU. [Scientific archive of the Institute of Archeology of the National Academy of Sciences of Ukraine]. F. 9. Ode save 86. 138 ark. [in Ukrainian].
Tkachenko, V. M. (2019). Dzherelna baza z pysankarstva v Naukovomu arkhivi Instytutu arkheolohii NAN Ukrainy [Source base on Easter painting in the Scientific Archive of the Institute of Archeology of the National Academy of Sciences of Ukraine]. Virtus: Scientific Journal / Editor-in-Chief M. A. Zhurba. September, 36, 189–192 [in Ukrainian].
Tkachenko, V. M. (2020). Fenomen ukrainskoho pysankarstva kintsia XIX – pochatku XXI stolittia (istoriohrafichnyi i dzhereloznavchyi zriz). [The phenomenon of Ukrainian Easter painting of the late XIX – early XXI century (historiographical and source section)]. Kyiv: Milenium, [in Ukrainian].
Tkachenko, V. M. (2021). Pysankarstvo Podillia u rukopysnii spadshchyni 20-kh rr. XX st. [Easter painting of Podillya in the manuscript heritage of the 1920s.]. Eminak, 2 (34), 306–316 [in Ukrainian]. DOI: https://doi.org/10.1033782/eminak2021.2(34).537
Khodak I. O. (2017). Natalya Kotsyubynsʹka i Kabinet ukrayinsʹkoho mystetstva Vseukrayinsʹkoyi akademiyi nauk (z istoriyi vitchyznyanoho mystetstvoznavstva 1920-kh – pochatku 1930-kh rokiv). [Natalia Kotsyubynska and the Cabinet of Ukrainian Art of the All-Ukrainian Academy of Sciences (on the history of domestic art history of the 1920s – early 1930s)]. Kyiv: Institute of Art History, Folklore and Ethnology. M. T. Rylsky; Kharkiv: Publisher Oleksandr Savchuk, [in Ukrainian].
Tsentralnyi derzhavnyi istorychnyi arkhiv Ukrainy. [Central State Historical Archive of Ukraine]. F. 2052. Des. 1. Ode save 626. 2 ark. [in Ukrainian].